Arts and Culture

Informed by grief but aimed toward healing, New York City's I AM THE AVALANCHE return with concise, potent LP, THE HORROR SHOW.

We revisit a conversation with Kevin Young on his poetry collection, 'Night Watch,' and Suzanne Perez reviews 'Discontent' by Beatriz Serrano.

Portland, Oregon's The Builders and The Butchers return with their first album in four years, Hell & High Water.

Several art students at Wichita State are currently prepping for a thesis show at Harvester Arts. One of those artists is Madison Mullen, who’s exploring the effect the internet and social media have had on her experience and the way others see her.

The Wichita Wind Surge threw the first pitch in their 2026 season, and in the stands, baseball fans were discovering lots of new food options. Denise Neil has the latest on eating at the ballpark.

Byron Isaacs and Peter Cole discuss scoring the indie film Run.

Two Wichitans have immersive artworks on display at Leedy-Voulkos Art Center in Kansas City. Torin Andersen caught their opening at the beginning of March. The exhibit will be on display until May 29, and visitors are encouraged to interact with each piece to find some fun or even a safe space.

Fletcher Powell says a new movie could have been a riot.

The Wichita musical duo Geo-Joe have a new album called "Where Did We Go So Wrong?" and it found musicians Georgia Sutton and Joey Lemon participating in the annual RPM Challenge in which musicians write and record a whole album across the 28 days of February — but the two also view it as a protest album against the Trump administration.

London dream pop band deary discuss their formation, creative process, and new album, Birding.