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In the audio version of her memoir, comedian and former "Saturday Night Live" cast member Leslie Jones speaks with honesty and emotion about her life and career.

Jason Smith of the Oklahoma City-based band Traindodge says that nearly 30 years into the band's career, he still remembers his initial motivation for pursuing music. We'll learn more about Traindodge. Plus news from Wichita and around the state.

Roxy's Downtown's production of the classic musical "Cabaret" begins this evening. Theatre veteran and musical director Roberta Wilkes talks about what she loves most about the music. Plus news from Wichita and around the state.

In this episode of Into Music, Tim Hinck discusses his formative years as a composer, the importance of learning the business side of music, and how he finds focus for creative projects. That’s on Into Music, coming up now.

Acclaimed director Wes Anderson's most recent feature film is one of his more thematically and narratively dense works. Up next, KMUW movie critic Fletcher Powell takes a closer look.

The Mike Steinel Quintet kicks off the 2024 Wichita Jazz Festival tonight at the Wichita Art Museum. Steinel is joined by his former student and academic colleague Rosana Eckert who says that jazz has plenty to offer all kinds of listeners. We'll find out more during KMUW's Jedd Beaudoin interview with both Steinel and Eckert. Plus news from Wichita and around the state.

On this month's "In the Mix," Carla Eckels talks with a Wichita woman who’s on a mission to share her Native pride.

Some of us (Fletcher) can never keep straight what, exactly, the subjunctive is, so fortunately Kathy and Ross are here to remind us!

Musician George Thorogood and his band The Destroyers have been a fixture on the American music scene since the 1970s. Thorogood says that he'll never forget his earliest motivator. KMUW's Jedd Beaudoin spoke with Thorogood about the twists and turns of his career. We'll have that interview. Plus news from Wichita and around the state.

In this conversation, John Sneider recalls his early years as a working musician, his dislike of chops-driven music, and the personal and musical bond he shares with Goldings.