© 2024 KMUW
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
00000179-cdc6-d978-adfd-cfc6d8c70000KMUW music hosts Jedd Beaudoin and Chris Heim share their selections for the best music releases of 2020. Join our music programs throughout January 2021 for a month-long feature highlighting the Best of 2020.

Night Train's Best Releases Of 2020

John Daversa Quintet's 'Cuarentena: With Family at Home' (Courtesy Tiger Turn), Eric Alexander's 'With Strings' (Courtesy High Note) and the self-titled album from Artemis (Courtesy Blue Note)

It probably had something to do with the kind of year we had, but the albums that seemed to stand out in 2020 were often ones that brought the most comfort: the balladry of Jeremy Pelt, the elegant and understated weave of strings used by Eric Alexander, the sunny effort from Bill Cunliffe, and especially (the one album not in alphabetical order here) the warm boleros featured in the quarantine project from John Daversa and his all-star group (Gonzalo Rubalcaba – who also shows up in the Global Village favorites, Dafnis Prieto, Sammy Figueroa, and Carol de Rosa).

Though vocal albums (with a few notable exceptions) have been rare on best-of lists, there were a few that stood out this year: the airy concept set from Kat Edmonson, the Latin balladry of Lauren Henderson, Kandace Springs’ salute to the women among her influences, and a powerful and moving jazz/roots project from Chanda Rule.

Meanwhile, a trend-let for all-female bands continued with the Artemis supergroup of Renee Rosnes, Anat Cohen, Melissa Aldana, Ingrid Jensen, Noriko Ueda, Allison Miller, and 2020 genius grant recipient Cécile McLorin Salvant.

Brazil’s Aquarela, the Spanish Harlem Orchestra (and guests), and the elegant Latin-influenced compositions of John Finbury (performed by vocalis Magos Herrera, pianist Chano Domínguez, bassist John Patitucci, and  drummer Antonio Sánchez) were among the standouts in what continues to be a very strong Latin jazz scene, while on the soul jazz side we had live sets from Brazilian keyboardist Ricardo Bacelar, and KC favorites Guitar Elation.

One of the surprises of the year was Jordan Siegel’s inventive tribute to film composers, evoking their style with his own engaging original compositions.

Last but not least, for the first six months of the year we were treated to reissues of the remaining, long unavailable Erroll Garner Octave albums, a charming reminder of why he was once one of the most popular pianists in the land.

Here, in alphabetical order, are the Night Train Top 25 Favorites of 2020:

1. John Daversa Quintet – Cuarentena: With Family at Home (Tiger Turn)
2. Eric Alexander – With Strings (High Note)
3. Joey Alexander – Warna (Verve)
4. Aquarela – A Bela Vida (Buda Musique)
5. Artemis – Artemis (Blue Note)
6. Ricardo Bacelar – Ao Vivo No Rio (Bacelar)
7. John Beasley – MONK’estra Plays John Beasley (Mack Avenue)
8. Bill Cunliffe – Sunrise Over Molokai (Metre)
9. John DiMartino – Passion Flower (Sunnyside)
10. Kat Edmonson – Dreamers Do (MRI)
11. John Finbury – Quatro (Green Flash)
12. Bill Frisell – Valentine (Blue Note)
13. Erroll Garner Octave Reissues – That’s My Kick, Up In Erroll’s Room, Feeling Is Believing, Gemini, Magician and Gershwin & Kern (Octave/Mack Avenue)
14. Guitar Elation – Double Live at the Green Lady Lounge (Jazz Daddy)
15. Lauren Henderson – The Songbook Session (CD Baby)
16. Ian Hendrickson-Smith – The Lowdown (Cellar Music)
17. Harold Mabern – Mabern Plays Mabern (Smoke Sessions)
18. Delfeayo Marsalis & Uptown Jazz Orchestra – Jazz Party (Troubadour Jass)
19. Christian McBride Big Band – For Jimmy, Wes & Oliver (Mack Avenue)
20. Pearl Django – Simplicity (Modern Hot)
21. Jeremy Pelt – The Art of Intimacy Vol. 1 (High Note)
22. Chanda Rule + Sweet Emma Band – Hold On (PAO)
23. Jordan Siegel – Beyond Images (Wonderbird)
24. Spanish Harlem Orchestra – The Latin Jazz Project (Artist Share)
25. Kandace Springs – The Women Who Raised Me (Blue Note)

Chris Heim produces and hosts Global Village, a nationally and internationally distributed world music show; the nightly jazz show Night Train, and Crossroads, KMUW’s twice-weekly blues and R&B show. Chris is also a critic and freelance writer whose work has appeared in the Chicago Tribune, Utne, Global Rhythm, Dirty Linen, and Option, among others.