Musical Space

Musical Space is a look at all things music, by KMUW music commentator Mark Foley. Mark is Principal Double Bass of the Wichita Symphony Orchestra and Professor of Double Bass and head of Jazz Studies at Wichita State University.

He has been a featured soloist with the Wichita Symphony Orchestra, performs extensively as a jazz artist is also an avid bluegrass player. Passionate about promoting new and diverse music, Mark is the founder and music director of the Knob Festival of New Music, a series of concerts held in Fisch Haus Studios every Fall.

The Musical Space commentary airs on KMUW on alternate Tuesdays. Listen here or subscribe to the Musical Space podcast on Apple Podcasts or Google Play. (If you'd like to learn more about ways to listen on demand, read our guide here.)

Ways to Connect

Most film scores are designed not to draw attention to themselves; they stay in the background like wallpaper, for decoration only. But exceptional movies feature unique and memorable characters or situations. Film composers like to match these elements with sounds that stick out - often from instruments you’ve never heard before. Connected to our film heritage is a virtual museum of obscure musical oddities.

Different eras of pop music have signature sounds - studio tricks used by record producers to hype up the music. Sometimes these sounds are a part of why certain songs have become timeless. When Sam Phillips recorded Elvis Presley, he used a particular kind of tape delay technique that he called “slapback echo” to add depth and rhythmic interest. Songs like “Mystery Train” have an unforgettable sound.

Jukeboxes used to be cool. In the age of the 7” 45 record, bars and restaurants would rely on them to maintain the atmosphere and keep customers entertained. Singles were chosen to match the mood of the place; each jukebox was a unique mixtape that defined the establishment as much as their burger baskets and fries. 

Warning: Some of the lyrics featured in this Musical Space podcast contain explicit language.

The arts hold a mirror to society, and sometime those in power don’t like the reflected image. There has always been censorship in music, and as the media have become more institutionalized, so has censorship.

Musical Space: Looping

Oct 11, 2016

In this Musical Space podcast, Mark Foley and KMUW's Fletcher Powell discuss 'looping'.

A new vinyl release of groundbreaking tape recorder experiments by literary pioneer and Kansas resident William S. Burroughs got me thinking about how words and music have always been interdependent. A musician who write songs necessarily becomes a poet. It’s interesting to me, though, that the direction can go the other way, when poets and authors undertake musical projects. 

The musical score for a four-movement symphony can be well over a hundred pages long. It’s interesting, though, to see how much great music is written on just a page or so.

Country, folk, and rock tunes, pretty much anything that’s made the pop charts since World War II, can be expressed as a few lines of text with chord symbols written above.

Singer David Johansen did all sorts of anti-establishment things on stage when he was fronting the New York Dolls in the early ‘70s, gaining notoriety and inventing punk rock in the process. I was amazed when, only a few years later, Johansen fully immersed himself in the superficial ethos he was rebelling against, appearing as lounge-lizardy Buster Poindexter, sporting a tuxedo and mile-high pompadour while crooning old standards.

Musical Space: Protest Music

Aug 16, 2016

Kelly St. Pierre pinch hits for Mark Foley this week on Musical Space. Here's the audio of the on-air commentary, plus her extended conversation with KMUW's Fletcher Powell. 

In this Musical Space podcast, music commentator Mark Foley and KMUW's Fletcher Powell discuss songs and artists in varying states of DIY.