© 2024 KMUW
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

On Stage: 'Hamlet' and 'A Comedy of Errors'

Hamlet, Prince of Denmark is considered Shakespeare's best work. It's impossible to confirm a single bona fide text, as there are three surviving early editions of the work: the First Quarto, the Second Quarto, and the First Folio. Editors have tried to combine them to create a conclusive text, but its sprawling themes make it Shakespeare's longest play. It is rarely performed without substantial condensing—uncut, the play runs more than four hours.

The revenge play was popular with Elizabethan and Jacobean audiences. The Roman playwrights were being translated into English, and Seneca, especially, caught the interest of playwrights and audiences alike. Thomas Kyd's play The Spanish Tragedy, written in 1587, is sometimes called the Ur-Hamlet, as it establishes many of the conventions of the revenge tragedy—a ghost as the instigator of vengeance, feigned madness, and the play-within-a-play. What makes Hamlet different is his moral compass. He's a complicated character onstage at a time when plot was favored over character.

Hamlet is onstage at Wichita Center for the Arts. This production focuses on the themes of cultural and familial violence and is not recommended for those under 14. See it onstage February 21st to the 24th.

Also onstage February 21st to the 24th is A Comedy of Errors at Wichita State University’s Wilner Auditorium. Two sets of twins, mistaken identities, and physical comedy galore are the hallmarks of this early Shakespeare comedy.

Sanda Moore Coleman received an MFA in creative writing from Wichita State University in 1991. Since then, she has been the arts and community editor for The Martha's Vineyard Times, a teaching fellow at Harvard University, and an assistant editor at Image. In 2011, she received the Maureen Egan Writers Exchange prize for fiction from Poets & Writers magazine. She has spent more than 30 years performing, reviewing, and writing for theatre.